- The Goldberg Variations, 1955 recording. Of course one must start with the Goldberg, not only because it was the 'first' chronologically, but because it sets the tone for the rest of his recordings. If you have never heard this version before, you are in for a good surprise.
- The Well Tempered Clavier Vol 1
- The Keyboard Concertos (along with Leonard Bernstein). First with the BWV 1055
- The English Suites
- The French Suites
- The Partitas
- The Tocattas
- The Well Tempered Clavier Vol 2. I find this one more difficult or 'drier' than Vol 1 for some reason
- The Art of Fugue. Gould on the organ!
- The 'Italian' album. A miscellany of some pieces he disliked, but quite good nonetheless
- The sonatas for violin & harpsichord with Laredo
- The 1981 Goldberg Variations
Some people revile
his playing, others adore it. That's Glenn Gould. For my part, count me in the
fan side. He's idiosyncratic, but that makes him endearing. He hums at
playtime, but I like how it adds to the composition (ok, count me among the
heretics as well). If you ever decide to listen to his Bach playing, may I
suggest you do so in the following order as I believe it will bring more delight than doing it randomly :
These will give you
the most accessible pieces. Probably the most difficult to listen to up to this
point are the French Suites. If you have come this far and still want more,
you can continue with:
Now, there is also
this one which might be saved for last
Wherever you you
decide to stop, close with
On the non-Bach
front I find the Gibbons album almost a must, while the Hindemith
unsortable. There is also an album with
Gould's own compositions, that includes So you
want to write a fugue? that for me is mostly a curiosity. There is also
a well-regarded Haydn Sonatas album that I've not listened.
Now that I'm on a
roll, I want to also a full-hearted shout-out to Bazzana's biography of Gould Wondrous Strange. It is among the top three
of the most enjoyable biographies that I've read. Frequently 'couldn't put it down' is an exaggeration.
This time it isn't.
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